by secondwhiteline » Sun Aug 07, 2016 10:45 pm
Saw it earlier tonight. Some quick thoughts...
Will Smith was partly Will Smith, but he carries the movie well, and Deadshot gets a lot of texture. A more stable, Secret Six-era Deadshot here, but the character is sympathetic and interesting.
El Diablo gets a nice arc that works well.
Katana is rad as hell, and does more in one scene talking to her husband's spirit than we get from the entire Rick Flag/Enchantress relationship.
Boomer and Croc are fun but underused.
Viola Davis is a great Waller - killer presence - but this version is definitely more sociopathic than the comic version.
Harley had the Brooklyn accent! Aside from some lame, trailer-ready lines, Margot Robbie was pretty decent. It was really more of a sketch of Harley. Weirdly, I think we get most into her character during her interactions with Deadshot. Their friendship is actually pretty compelling. We also get a great Little Shop of Horrors "Somewhere That's Green" shout-out with her (you'll know it when you see it).
Joker's...okay. He's not too far off from Heath Ledger, but there's definitely a sense of him trying too hard to be Joker. Good chemistry between Leto and Robbie, though.
Cara Delevingne is barely present in her own character. Her voice is pitch-corrected, she's speaking an ancient language, and she's drowning in CGI. Impossible to judge, really. Character-wise, there's not much given to Enchantress, although they obviously combined Enchantress and Nightshade from the comic for plot purposes here.
Joel Kinnaman's American accent is impressive (I didn't even know he was Swedish), but he's just terrible. A black hole of charisma, surrounded by people who are actually interesting. The film seems to contort itself to get away from everything with him and Delevingne - if you want to know what those reshoots were about, look no further. I guarantee the film with Tom Hardy in the role as originally cast would've focused much more on Flag, but they basically had to let Smith carry this thing. I wouldn't be surprised to hear that the Flag/Enchantress relationship was added post-Hardy to give them an angle to work with, and then cut down once they realized what actors they were stuck with in the two roles.
The film feels ragged. Sometimes that works, but there's so much here that just isn't built well. The main plot is Escape from New York, and culminates in the end of Ghostbusters. The film's at its best in the beginning when they're putting the team together and giving us each member in his or her element, and later when the characters are bouncing off each other. I could watch a movie of them hanging out in the bar.
Stylistically, Ayer does some interesting, weird stuff during the team-building act, but reverts to his usual realism once the mission starts. Which is weird, considering what the mission ends up being. There's an interesting Aliens-like subway wreckage set later, but it's brief. The action sequences are pretty standard, and the camera cuts are too quick to really build good fights. We do get a great Deadshot vs. an army moment halfway through, and Katana does some great stuff, but I don't think Ayer really knows how to build an extended, complex fight sequence. Hard-Boiled this ain't. Luckily he seems aware of his limitations here, because the end showdown functions heavily on character stuff, and that's what he's best at.